Thanks to Filmic Pro, the iPhone is capable of recording in both Log (HEVC) and ProRes 422 HQ. Both formats have their pros and cons, and it’s important to know how to best use each. I’ve been having fun experimenting…
editing
Thanks to Filmic Pro, the iPhone is capable of recording in both Log (HEVC) and ProRes 422 HQ. Both formats have their pros and cons, and it’s important to know how to best use each. I’ve been having fun experimenting…
Introducing… CINECOLOR Digital Film Stock 🙂 This is a brand new set of 80 color grading LUTs that I’ve…
February 9, 2022Want to make your digital footage look like it was shot on analog VHS tape? This easy tutorial…
January 27, 2022One exciting trend that has slowly evolved from a novelty to the norm in recently years is the…
January 13, 2022Curious how the new iPhone 13 video quality and color science stacks up to the Arri Alexa? I…
January 4, 2022Looking for a color grading LUT to convert your raw footage from Log to Rec 709? I have…
September 28, 2021When I first began creating and releasing color grading LUTs to the public about 5 years ago, I…
June 10, 2021It’s one thing to understand how to color grade on a purely technical level, but it takes a…
May 26, 2021I recently shot a small project on Blackmagic’s wonderful 6K Pocket Camera, and will be sharing the results…
April 28, 2021Looking for a free letterbox template to apply to your footage? You’ve come to the right place. I…
April 20, 2021One of the greatest stylistic tools that filmmakers have at their disposal is undoubtably the aspect ratio. But…
April 1, 2021There’s a lot of speculation about how AI, automation and other technological breakthroughs will change the film industry…
January 13, 2021