The 3 Most Affordable Netflix Approved Cinema Cameras You Can Buy Right Now
As most filmmakers know, Netflix original productions can only be shot on cameras that have been approved by…
November 16, 2021As most filmmakers know, Netflix original productions can only be shot on cameras that have been approved by…
November 16, 2021Jake Gyllenhaal’s latest Netflix feature (The Guilty) wasn’t shot on a typical Hollywood schedule. While most major features…
November 10, 2021In this episode, I share a recent guest session recorded live in my filmmaking community (The Backlot), featuring…
October 24, 2021I just finished a shooting draft for my upcoming feature film SHELL SHOCK, and thought it would be…
October 15, 2021Looking for a color grading LUT to convert your raw footage from Log to Rec 709? I have…
September 28, 2021I recently picked up a Fuji X-T4 to use on a slate of upcoming filmmaking projects, and have…
September 9, 2021In this episode I am joined by the amazingly talented Martin Blasick, who has worked in the film…
August 28, 2021Earlier this year I had the chance to shoot Super 8mm film on an awesome video project for…
August 13, 2021How likely is it for an indie film to become profitable? Statistically speaking, the picture is quite bleak…
July 22, 2021To me, the 1.66:1 aspect ratio has a magical quality to it. It’s been used to frame countless…
July 14, 2021Traditionally, a feature length Hollywood screenplay is supposed to be 110 – 120 pages in length. But as…
July 1, 2021Joining me today is Director & DP Emily Skye, who you might also know as “She Wolf Films”…
June 24, 2021